Guide to getting started in the world of black and white photography. – Here are the top 10 tips black and white photography tips.- improve your black and white photography.
The following tips were some of the main elements you should be keeping in mind as you start our on your black and white journey. Naturally, as you develop in both skill and confidence. You will find through trial and error what works best for your particular creative vision.
The Best Conditions
The truth is, There aren’t necessarily any best condition in which to shoot black and white.
Some mono shooters actually prefer to take their shots on overcast and generally dark days.
The low contrast seems to be drawn for these photographers. Certainly, a grey cloudy sky can be made to look very moody and dramatic, as opposed to a blue sky with puffy clouds.
Shoot color and raw
A lot of modern cameras have a so-called creative function that gives you the option to capture your image in black and white at the outset. Doing this may actually result in a loss of tonal range.
If you shoot in color and especially the full gamut of tonality that your camera’s sensor can see. This is a much better starting point with more control that an in in camera mono image.
capture images in color. Use Raw image format.
Keep Your ISO Low
The lower your ISO, the less grainy the image will be. If it means you need a tripod to handle slower shutter speeds, then thats is a good thing.
A High Dynamic Range image is the fusion of three standard bracketed low dynamic range images that are combined to produce a single image that covers a much great range of tonal value from darkest shadow to the brightest hightlights.
Capture more light data in a scene than a single shot can achieve on its own. As a by-product, you also get a lot more details in the shot.
See the light
Your image can stand or fall on the quality of the light in the scene.
It is generally held that midday sunlight knocks detail flat and creative possibilities are more limited.
For landscape particularly, the first light of the morning or the last light of the evening is a much more prized commodity.
Consider your subject
Trying to think in black and white – that is to say, trying to visualize the scene in front of you with all its color absent is a good skill to try and develop.
At the end of the day not every image will work in black and white, sometimes the removal of color can also remove differentiation between objects that could easily be distinguished were they in color.
Will everyone find the subject in your black and white image?
The basic rule of thumb that apply to general color photography also apply to black and white.
- The rule of thirds
- Golden ration
- leading lines
Sometimes rules can be broken, if you find your scene somehow dosen’t conform to a standard rule. Take that shot anyway.
Shape and Form
In black and white particularly, shape and form become very important to the success of the image.
Converting to black and white means you can no longer rely on any color in the scene to degine your subject from its enviornment.
You need to be able to take the shapes, lines and forms available in the shot, and use them as the method by which the image is given an obvious focal point or object of interest.
The shift from color to black and white often reveals details that might otherwise have been hidden under the obsuring cloak of colour.
colorful items in a shot can be distracting, as we’ve already mentioned, sometimes to the point of masking very interesting but perhaps subtle patterns that can only be appreciated once color is removed from the scene.
Texture Adds Interest
Can you imagine how flat and featureless our world would be without textures?
you need to bear that thought in mind when you shoot for black and white.
A mono image and texture are inextricably linked, and part of the overall success of an image depends on there being elements that can show depth, dimension and contrast.
Texture objects reflect light in interesting way and draw the viewer’s eye into the scene.
A combination of textures in your mono image is a wining formula.